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Hi there,

I’m Frank Ruggiero, entertainment editor for The Mountain Times. You might remember me from Episode 106 of “Sqrambled Scuares,” as well asfrom my various articles, like “Boone adopts bond order for $25 milliontoward new water intake.”
 
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Movie Times
The newly released concert film, This Is It, displays Michael Jackson’s outstanding showmanship just so. It doesn’t delve into his troubled persona, rather presenting him as seen on stage – a perspective from which it’s vividly clear that Jackson’s reputation as a brilliant entertainer is duly deserved.  
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Put “low budget” and “horror movie” together, chances are you’ll have a laugh, maybe an “Ewww,” and most certainly an “Oh, come on.” Paranormal Activity has all of the above, but is an ambitious step toward breaking that mold, proving that decent writing is far more effective than buckets of gore, computer-generated monsters and Sorority Row.  
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There’s a lot I wanted to like in Law Abiding Citizen, a well-made film with several excellent scenes, but the film’s just too flip-floppy. It’s a film with two personalities – one is a daring tale of blurred morality, the other a dead-fish action film full of clichés and by-the-books “suspense.”  
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First, a warning: this is not a children’s movie.

Spike Jonze’s Where the Wild Things Are, a 101-minute adaptation of Maurice Sendek’s 1963 classic, is simply a film told from the viewpoint of a very confused child. Much like Elliott from E.T.: The Extra Terrestrial, Wild Things' Max has probably seen more of his fair share of sadness and rejection in life – he’s lonely, and he’s got some anger in him, too.  
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So-called rom-com possibly worst of 2009

If you haven’t long to live, see Couples Retreat. It makes 107 minutes seem like an eternity.
But the atrocious new romantic comedy that is neither romantic nor a comedy managed to date-night its way to No. 1 at this weekend’s box office, toppling Zombieland, which, for a film about flesh-eating undead monsters, has considerably more life.  
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Whenever stuck in the conversational doldrums, I’ll bait someone to say something like, “I want the truth,” so I can indulge myself in repeating one of Jack Nicholson’s most memorable lines, “You can’t handle the truth!”

General results are frustration, amusement and scorn. But the quotation is not without philosophical merit, questioning how people handle truth and, more specifically, if they even wish to do so.

The brilliant new comedy The Invention of Lying tackles this question and others, delivering a fresh concept with expert timing for one of the most original – and funny – films of the year.

 
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Zombieland is a breath of fresh air in the genre, an entertaining adventure comedy with thrills and big laughs. It helped that it doesn’t play like a zombie film, which usually deals with groups of healthy humans trying to save civilization from the man-eating monsters.  
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A somewhat consistent theme in most Bruce Willis movies is that our hero wakes up with a hangover, headache or both. The sci-fi thriller Surrogates follows this formula and a handful of clichéd others, sacrificing depth for flash, and in less than 90 minutes.  
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Space has always been a great setting for horror films, mainly because we know so little about it. Anything is plausible when people leave earth because we can’t logic our way out of it – we know that shooting Michael Myers in the head would kill him, but we don’t know that there aren’t unimaginable horrors waiting for us somewhere in the stars.
Pandorum plays on these ideas, but it’s so much more than just another horror set aboard a dark and dreary spaceship. It starts with two confused characters that have no clue as to what is going on and slowly reveals the truth – keeping the viewer out of the loop until the characters find out. It flows perfectly, looks great and is downright scary throughout – horror films this good are few and far between.  
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Jennifer’s Body is a mess from beginning to end, killed by a lack of character and an uncertainty about what it is. Is it a horror? Is it a comedy? I’m not sure that either writer Diablo Cody or director Karyn Kusama (Girlfight, Aeon Flux) know for sure, and the result is a film that isn’t scary or funny.  
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For Archived Movie Reviews prior to October 2009, Please click here.

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